Free Ebook How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro
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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro
Free Ebook How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro
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Amazon.com Review
"Like two years of film school in 248 pages" - Steven Pressfield, author of "The War of Art" and "The Legend of Bagger Vance" "Stockman has packed a veritable film school between the pages of this highly informative, yet entertaining book. Very highly recommended." ―Videomaker Magazine"Great tips from a video expert." ―PC World "Whip-smart and funny... teaches readers how to think about film and reveals the why and when behind techniques; there is next to zero tech or tool talk." ―Library Journal "His simple-to-follow guide takes readers step-by-step through the film- and video-making process" ―Kirkus Reviews “Stockman skipped past all the technical crap about how to use a camera and cut right to the chase: how do you shoot a video somebody else will WANT to watch? The only thing missing is a time machine so I could reshoot fifteen years of sucky birthday party and school play videos.”--David A. Goodman, Executive Producer/Head Writer of “Family Guy”
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From the Author
My hope is that anyone, at any level, can open the book anywhere and get a great idea for their next video. IF YOU'RE BRAND NEW, this book will start you thinking about how to communicate with an audience.  Your videos will be more fun to watch-- for your friends, your relatives, and even for you.  It will help you make video you'll be really proud to share. MORE EXPERIENCED VIDEOGRAPHERS will find chapters on critical principles like storytelling, structure, emotion and composition-- plus exercises you can practice to improve your video skills. IF YOU'RE A PRO, you'll still find enough advanced ideas to make it worth the price of admission. Hell, when I flip through the book I find things I wish I'd remembered on last week's shoot (Because there's so much good stuff here, I'd like to think-- but it could just be failing memory.) Check out my blog (stevestockman.com) for more on shooting video that doesn't suck!
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Product details
Series: later printing
Paperback: 248 pages
Publisher: Workman Publishing Company; 1 edition (June 2, 2011)
Language: English
ISBN-10: 0761163239
ISBN-13: 978-0761163237
Product Dimensions:
7.4 x 0.7 x 9.1 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
535 customer reviews
Amazon Best Sellers Rank:
#18,795 in Books (See Top 100 in Books)
I have been making videos for friends, families, and clients for years without any type of formal training. I learned through trial and error back in the day before making videos was the "in thing". Boy do I wish I had this book when I started off. The book is full of useful information for the video editor who is lacking experience. The info on creating short shots, planning your shoot, and lighting will help most new video creators improve their projects exponentially. It even has some nice tips that experienced videophiles will find useful. I decided to give this book a gander to see what it says and if I could actually learn anything from it. I'm glad to say that the purchase was definitely worthwhile.
With no prior training, I was immediately drawn to this book to improve the quality my home videos.Here are my take-aways to Plan-Move-Point-Shoot-Stop-Edit:I.Plan: - Make sure that every video, scene, and shot has a clear intent of how you want the audience to react and be explicit - Select a point-of-view (the "side"/opinion of a specific individual) - Either script or build a checklist of an anticipated key shotsII. Move: - Keep the light behind you; make sure the lighting matches the story - Match location, background, and foreground to the story - Make moves in large incrementsIII. Point: - Focus on people's eyes to capture emotion - Do not move the camera or use digital zoom before or during the shot - Keep the focus of your image out of the middle square of a 3x3 grid - Use an external mic (lavaliere or boom)IV. Shoot: - Make every shot an action with a clear hero and a beginning, middle, and end. - Make each scene answer questions from the prior scene and raise new ones - If using two cameras, manually synch their AWB (automatic white balance)V. Stop: - Keep shots under 10 seconds (if traveling, shoot two 10-sec shots per hour)VI. Edit: - Keep videos as short as possible; if doing a how-to, consider breaking into a series - Edit out everything that does not need to be there - Limit the use of graphics/text/titles; if used, make text/titles simple (ex: Helvetica) and effect-free - Consider using a call-back to link the final shot to the initial shot - Music & Sound: Test music that is on-story, counter-story; and unrelated and see what works; Add natural sound effects - Rely almost completely on cuts with a rare wipe (to convey movement) and even rarer dissolve (to shift to a somber mood) - Seek feedback and address all common concerns and think about unique ideas/concerns[UPDATE: I updated this review from 2 stars to 5 stars on Jan 14, 2013. Though the book has a high degree of redundancy, it has truly transformed the way that I approach video.]
The book is everything it's cracked up to be - very solid information well-presented.Among other nuggets, the book emphasizes the importance of caring about the audience, respecting audience members, guarding their time, refusing to bore them. I recently spent good money for a memoir by a prominent football coach. I can't get over how that guy and his ghostwriter put together that book so casually and lazily. Major disrespect for the audience.Stockman's appendix includes film suggestions. Nice to see "Lawrence of Arabia" and "The Godfather" there.There's very little about technical stuff here, i.e., not much at all about compression rates etc. Plenty of books supply that stuff. "The Filmmaker's Handbook" covers this turf very well.Stockman's book is not only well-written, it's well-designed and produced - short chapters, plenty of white space, excellent typefaces.
I think Amazon needs to implements some rules about reviews where the product was given away for free. Here should be a mandatory ratio of at least 1:1, endorsed vs. genuine. Many books on film and video production have ratios of 15:1, endorsed vs. actual real-world readers.My review for this book is 5 stars. But be careful when looking for other good books. Make sure there are more genuine reviews than endorsed views. The easiest way to do is is by sticking to books that have over 100 reviews.The new "not yet rated" has been replaced with 15-20 reviews averaging around a 4.5.This book is great for all he reasons everyone else says it is. I just wanted to share some advice as well.
I never liked the title, but the book is more than awesome. I don’t think it’s for someone who wants to become a pro and is studying film at the university. This book is for somebody like me: a guy that works doing whatever else, but wants to make reasonably good film to tell a story: a trip, vacations, how is work, how is life, etc. It will also be useful to somebody wanting to make their own homemade movie. The book is like a collection of good advice, each advice being a short chapter that explains it. There are some assignments. There’s a listing of good movies to watch to see good direction. Makes a lot of sense, reads very easily and is very interesting. I am very happy to have purchased this book! :-D
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